In fact, even when Othello enters their bedchamber and talks about killing her, entreating her to pray so that she does not die with a sin on her soul, Desdemona makes no effort to run from Othello, but questions him about why he is upset. (Othello, IV. iii, 45-51).
Cassio's flaw is not as obvious in the beginning part of the play, but plays a major role in the downfall of Othello. Cassio's flaw is that he is too concerned about other people's opinions. Thus, when he begins describing Desdemona to Montano, he does so in glowing terms, despite the fact that he has no romantic interest in Desdemona and appears to have little real knowledge of her. (Othello, II. i, 79-89). Though he knows that he is vulnerable when he drinks alcohol, Cassio allows Iago to goad him into drinking, because he is concerned about Iago's opinion of him. (Othello, II. iii).
Of course, Iago uses this one incident to demonstrate to Montano that Cassio is a drunk, which precedes the fight between Montano and Cassio, and is what puts Cassio in Othello's disfavor.
Emilia has tremendous loyalty for Iago, which he exploits in order to further his plot against Othello. She explains this somewhat when she and Desdemona are discussing women who make cuckolds of their husbands. Desdemona asserts that she could not cheat on Othello for the entire world, but Emilia disagrees. She asks, "why, who would / not make her husband a cuckold to make him a monarch? I should venture purgatory for't." (Othello, IV.iii, 81-83). In fact, during the play, she does things that she knows are wrong, simply because...
She states, "I nothing but to please his fantasy," and she does not speculate that her "wayward husband" might have any malicious intent with one of Desdemonda's most precious items. Emila's unfailing trust in her husband is frustrating in light of Iago's deceit, and makes her seem even more remarkable of a character. Even when Desdemonda asks "Where should I lose that handkerchief, Emilia?" Emilia does not mention how
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