Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity

Death of a Salesman Arthur Miller's Death of a Salesman is about a sad salesman, Willy Loman has spent his entire adult life in sales, with little success, but always believing affirming that a man who is well-liked is always successful. There have been many film and television versions of Miller's play since its first performance in 1949. The 1966 version directed by Alex Segal and starring Lee J. Cobb has

Death of a Salesman Culture and Gender in Death of a Salesman American culture is clearly changing. Yet, many within it are refusing to adapt, and are continuing to hold on to outdated middle class values that don't work within today's social context. This is Willy Loman. Arthur Miller presents a sad but realistic look at the destruction of the American Dream and middle class values within his work Death of a

Throughout the play, Willy longs for the wealth, privilege, and equality the America was alleged to have been built upon until he can no longer deny that the promises of the American dream are just an illusion. While this is without a doubt a scathing critique of capitalism, at the same time, the play seems to be trying to show that nothing is truly real and once you remove

Death of a Salesman, by Arthur Miller. Specifically, it will address how Miller foreshadows Willy's suicide throughout the play, and how this foreshadowing creates tension. Willy's death comes as no surprise at the end of the play, for he has been doomed since the opening curtain. He is a man whose time is past, and Miller makes this clear with his foreshadowing and depiction of Willy as old, and

Paranoia, Entrapment, And the Corruption of the American Dream in Double Indemnity and Detour Film noir can be described as "murder with a psychological twist" (Spicer 1). As a genre that flourished during the 1940s, film noir came to reflect the anxiety, pessimism, and paranoia that pervaded post-war America (20). In Anatomy of Film, Bernard Dick writes, "The world of film noir is one of paranoia and entrapment, of forces bearing down