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The use of this shot can be seen in the sequence where Marsellus gets run over by Butch and later when Butch is beating up one of the pawn shop owners. Tarantino is also known to use a long shot in his films. The use of a long shot can be seen shortly after the film's introduction as Vince and Jules discuss the differences between the United States and Amsterdam in regards to marijuana and hamburgers.
One of the most interesting aspects about Pulp Fiction is its unique editing. The film's narrative is heavily dependent on Tarantino's creative narrative as he employs non-linear editing. For example, the film begins and ends with Vince and Jules eating breakfast at a diner with jump shots being used throughout the film to connect the various subplots together. In the film, character interactions help to create a cohesive narrative as Tarantino demonstrates how they are all interrelated.
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Despite the film's graphic and gratuitous violence, music helps to create a calm familiarity. Tarantino uses music of the 1950s and 1960s to enhance the pulp fiction of the film; like its reference to pulp magazines, the music is homage to the past, yet helps to create cohesion. Dialogue is also central to the film's narrative. Tarantino uses fast-paced dialogue reminiscent of film noir. The dialogue between characters is constant, with silence being referenced to as "uncomfortable" by Mia and Vince in their diner scene.
Pulp Fiction deserves to be lauded as a cinematic masterpiece because of Tarantino's unique narrative, editing, and because it broke away from the stagnant films that had overtaken Hollywood. Tarantino's film managed to be simultaneously witty, violent, revolutionary, and exciting without being a disaster. Tarantino's extensive knowledge of film has allowed him to continuously shock and intrigue audiences since.
Pulp Fiction: Mia Wallace One of the most striking visual images of Pulp Fiction is Mrs. Mia Wallace, Marcellus Wallace's wife. She is first shown putting on her vampire-red lipstick as she gazes at Vince Vega, who has been asked by Marcellus to 'entertain' her for a night. Everyone knows that Marcellus is a terrifying man, so Vince clearly has every interest in protecting Mia's 'honor.' Yet Mia is making herself
Pulp Fiction, by director Quentin Tarantino, is a prime example of a film that utilizes a multiple narrative structure. The film has three narrative stories that are signaled by inserted captions, and told in "episodes" that are shown non-chronologically. Specifically, the three narratives are called "Vincent Vega and Marsellus Wallace's Wife," a story of a man watching over his boss's wife and cannot touch her, "The Gold Watch," the story
By doing this, the film puts across feelings related to irony and sarcasm, as it apparently wants to ridicule a society that never seizes to amaze. It is as if the film is meant to be surprising by showing apparently improbable occurrences that are actually very likely to happen in real life. 2. The film does not follow Freytag's Pyramid and the only way for it to follow it was
Violence in Pulp Fiction When the movie Bonnie and Clyde opened in 1967, Newsweek reviewer Joseph Morgenstern slammed the move as a "squalid shoot-em-up for the moron trade." (Goldstein) But a week later retracted his previous bad review and praised the movie. It was the violence that originally shocked the movie reviewer, but within a week, the shock of the rampant violence had worn off. Once this had happened, Mr.
Vincent Vega From Pulp Fiction In Quentin Tarantino's classic film Pulp Fiction many of the characters seem to be stock "types" with which one might be familiar from other movies or forms of fiction. Therefore, the appearance of one of them needs no introduction in the movie, but they are also expected to be somewhat one-dimensional characters that experience very little growth or development during the progression of the film. When
On the contrary, Jules initially seems far colder and less redeemable than Vincent. The best example of this is when Jules recites a verse from the Bible, "The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of