¶ … Black No More
There is a book I used to read when I was younger by Dr. Seuss called The Sneetches. The main plot is about two groups of Sneetches: "The Star-Bell Sneetches," who "had bellies with stars," and "the Plain-Belly Sneetches" who "had none (stars) upon thars."
Naturally, those with the stars believed that they were much better than those without. They would walk around bragging and looking down on everyone else, "We're the best kind of Sneetch on the beaches.' With their snoots in the air, they would sniff and they'd snort, 'We'll have nothing to do with the Plain-Belly sort!'" Such a situation is prime for Sylvester McMonkey McBean, who is always looking for a way to make some quick money. He sets up a machine that adds stars to the individuals without them. Of course, the ones with stars then want theirs removed. McBean is pleased to do so. So it goes with McBean getting paid lots of cash to add and remove stars. Finally, no one remembers whether or not they had stars to begin with. They realize that Sneetches are no better with or without "stars upon thars."
As with any Dr. Seuss book, this one can be read just as a fun picture story. Or, it can be seen as a story that reflects on everyday life. Throughout the world, there are always people who believe they are better off because they have stars, or no stars, of a certain color or religion or race. What people do about their...
Notwithstanding its roots in African dance, in actuality, it was a fighting style designed by African slaves as a means of protecting themselves from government agents searching for them after their escape from enslavement. Likewise, Levine focuses heavily on the connection between the slave culture that was evident in the American South, while much of it may actually have been shaped by the need to conceal it from white
This story clearly outlines the level of difference and separation that is experienced by many members of the African-American community in a variety of ways, and most clearly deals with the economic impact and institutional nature of the racism this community has experienced. Another very interesting perspective is provided in McPherson's memoir regarding his own experiences, Crabcakes (1999). Many different episodes reflecting sometimes subtle and sometimes quite obvious differences in
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Black Picket Fences Sharlene looked at me with her big, watery brown eyes. "No," she said emphatically, with a definite doleful tone in her voice. "I have never felt like I fit in here." Sharlene, who is 31 years old and has two children, is a black woman that falls into what Mary Patillo-McCoy calls the "black middle class." However, unlike the men, women, and children that Patillo-McCoy interviews for her
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