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The Shining vs. The Exorcist
The Shining and The Exorcist are both horror classics that have terrified audiences for decades. Both films are masterpieces of suspense and tension, with scenes that will stay with viewers long after they've left the theater. However, each film is also unique in its own way. The Shining is a classic real-world horror story in which the terror grows both from a real fear of domestic violence and the influence of ghosts. It is characterized by a slow build up of tension that culminates in a series of shocking and terrifying scenes. The Exorcist, on the other hand, is a more relentless and graphic film, that explores what a real-world case of supernatural possession might look like. The Shining is also ostensibly about possessionbut the possession is only suggested and is never explicitly detailed; it is the suspicion of possession that makes the film so frightening, as the characters are locked away in a secluded hotel, buried in snow with no escape. The Exorcist takes place in an urban environment, where characters (aside from the explicitly possessed girl) are free to come and go as they please. Both films are essential viewing for any fan of horror, and each has earned its place as a classic of the genre.
William...…which is why some consider his The Shining to be his best.
While both The Shining and The Exorcist are considered classic horror films, they approach the genre in very different ways. The Shining is a much more atmospheric film, relying on a slow build-up of tension to create a sense of dread. In contrast, The Exorcist goes for a more direct approach, shocking viewers with graphic imagery and explicit scenes of demonic possession. Both films are effective in their own way, but The Shining stands out for its masterful use of eeriness and real-world terror (domestic violence), while The Exorcist haunts audiences by appealing to fear of the…
Works Cited
Friedkin, William, dir. The Exorcist. Warner Bros., 1973.
Kubrick, Stanley, dir. The Shining. Warner Bros., 1980.
He consistently uses the technique of lifting the curtain to introduce scenes and essential actions. This kept his films rooted in the early traditions of theater but in a covert manner. Many of these theatrical illusions were portrayed using modern interpretations, such as his use of the curtain effect with the image of an opening door into a new environment. These traditions were at the very root of his
I. Thesis -- the convention that the husband fulfills the dominant male provider role while his wife supports him in all of his endeavors, particularly domestic ones, is at the heart of the cultural value of Asian marriages. A. Asian society, as well as that of Asians in the westernized world, is male dominated. 1. There are numerous films that depict males and husbands in roles in which they are the material
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Culture Films as Expressions of a Society's Values Criminals are glamorous and so are the people who follow them. The countries to be compared are the United States and Italy. Each American film has an Italian counterpart that is similar in premise, characters, and sometimes time period. The films that will be referenced are: Angel of Evil (Italy) -- Blow (USA); Giallo (Italy) -- Se7en (USA); The Girl with the Pistol (Italy) -- I Shot
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films will be compared. One film that will be discussed is City of God (2002) and Boyz in the Hood (1991). City of God was made in and based in Brazil, specifically in the favellas of Rio de Janiero -- the equivalent of what Americans would call "the projects" in urban areas with severe crimes. Boyz n the Hood was made and based in an African-American ghetto of Los