Nino Rota Fellini And Adorno Essay

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Adorno and Music Adorno's concept of standardization stems from the industrialization of culture -- the most fitting example being that of the assembly line, where cars are manufactured in the exact same manner, robotically, without any originality or deviation occurring. The standard is the same. In music, standardization occurs in a similar manner -- instead of cars being manufactured, the culture industry manufactures music, art, cinema, books, etc. I piece of music that I believe has aesthetic value is Nino Rota's "Theme" for the Fellini film 8 1/2. It has a very basic structure and thematically resembles a circus piece -- which applies to the chaotic narrative of the film about a director trying to marshal both his internal and his external environment towards "the hoop" through which everything is meant to pass. The music is colorful, inviting, rhythmic, and very much like a march that easily draws the listener into its world.

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The theme's main motif is repeated again and again at varying paces, sometimes slow, sometimes fast, depending upon the feeling that Rota is attempting to evoke. The rhythmic structure of the piece is thus varied and never stale: rhythm acts as a driver of the melody, but the melody remains at the top and at the fore -- without it, there is no work at all.
The work has emotional value in part because of its application in the film; detached from the film, it is still an enjoyable work, but the emotional and aesthetic value is tied to the film by Fellini for anyone who has seen it. For a new listener, unaware of the "Theme" in the film but hearing it for the first time, there is likely to be an appreciation of the dramatic qualities of the score. However, the standardization that Adorno discusses and the rhythmic structure may be more evident to this type of listener, who is unaffected by the visuals and narrative of the film and their impact on the theme by Rota. The emotions roused by the film are sure to intertwine with those of the music to create an even deeper emotional experience for one who is both a viewer of the film and a hearer of the music.

Emotional value contributes to our understanding of a piece of…

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Works Cited

Adorno, Theodore. "On Jazz." Essays on Music. CA: University of California Press,

2002. Print.

Rota, Nino. "Theme for Fellini's 8 1/2." YouTube. Web. 6 Jan 2017.


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