Robert Frost's Poetry Robert Frost

Robert Frost's Poetry Robert Frost is America's poet. Living a life dedicated to poetry, Frost wrote some of the best and most-admired poetry in American literature. Frost is famous because his poetry reads well - it seems simple but there is always something else going on if one takes the time to look. Frost is also known for utilizing the literary techniques of metaphor, symbolism, and imagery. "The Road Not Taken," "Stopping by Woods," and "Design," are poems that demonstrate Frost's technique as a poet and thinker.

Frost crafts poetry that allows us to see and feel - and if we take the time, we will also realize that the poet almost always has an underlying message that deals with the greater issues of life. Frost is no stranger to symbolism. In his famous poem, "The Road Not Taken," the most powerful illustration of symbolism is the roads. The roads are symbols for choices that we face during our lives.

That the poet made the choices in life roads is significant because we travel through life like we travel down roads and we seldom have the choice for a "do over." In other words, once we decide to do something, we must live with the consequences with that choice - be they good or bad. It is not as if we can back up and return to where we fist began and start over.

We know this is true when the poet admits, "Yet knowing how way leads on to way,/I doubted if I should ever come back" (15-5). Knowing that the choice cannot be taken back should give the poet (and us) a reason to stop and think before we act. Another literary techniques Frost employs in his poetry are imagery and simile. In "Design," we see powerful imagery as well as examples simile.

The poet presents us with the image of a larger purpose in the design of a smaller world of a country plant. The image of a stronger force at work in this little world illustrates how the poet can see beyond what is there. Our first image is that of the "dimpled spider" (1) holding a moth whose wings are "white piece of rigid satin cloth" (3) on a curiously white plant that should be blue.

While we see this image almost perfectly, we cannot help but see the ultimate image of death. To reinforce this image, the poet refers to the three subjects of his observation as "characters of death and blight" (4). We have an example of simile when the poet tells us that the subjects are like "the ingredients of a witches' broth" (6) and the moth will eventually turn into "dead wings carried like a paper kite" (8).

This poem presents us with the issue of death and the afterlife shrouded in the seemingly unimportant death of a moth. Here we see how Frost uses elements of nature to focus on larger issues in life. By deliberately focusing on something that many people would overlook, the narrator makes two points - that if there is a design to anything, it must also design the smallest of events. In "Stopping by Woods," we have examples of imagery and symbolism. Again, the poet works with images found in nature.

We know the poet has paused to watch the woods "fill up with snow" (Stopping 4) on the "darkest evening of the year" (5). While we may think that the poet might be cold, the mood and tone of the poem suggest that the poet is stopping to enjoy the scenery. All is peaceful - the air is so quiet that the poet can hear the "wind and downy flake" (11) moving around him.

The woods become a symbol of peace and tranquility in contrast to the real world to which the poet must return. In fact, the poet speaks with dread when he mentions the promises he must keep and "miles to go before I sleep" (15). The poem captures a moment in time that seems to linger on the perimeter of civilization. Robert Frost is one of the most widely known American poets. His poetry lives through the years because it is complex.

While the poems may seem simple, there is always something else going on beneath the surface. While the poems are no doubt universal, we can see elements of Americana sprinkled throughout them. Cultural issues such as decision-making, the pressure of responsibility and duty, and the complexity of death emerge in many poems, allowing us to see society's influence on the poet. In "The Road Not Taken," we see how life is filled with choices.

Because we are American, we are lucky enough to experience freedom but this does not always come without difficulty. With this poem, the narrator explains how decision-making can be trying because we never actually know how things are going to turn out. Nevertheless, we must make choices and get on with our lives.

In "Stopping by Woods," the narrator encounters a similar type of conflict in that the pull of our fast-paced American lives makes him or her want to stay in the woods for just a little while to enjoy the peace and serenity of it all. The promises to keep and the miles to go indicate that the poet may have more on his plate than he can handle - a typical symptom of many overworked American personalities. In "Design," we see death, and the questions that it brings.

This poem presents the cultural issue of how death affects us and what lies ahead in the afterlife. Americans seem to be terribly distracted with differing views on this subject and Frost captures the essence of much controversy with this tiny image of a spider, a moth, and a plant. These poems relate to one another because they all deal with specific elements of nature and how those elements represent a certain aspect of our human lives. In "The Road Not Taken," the roads represent the choices of life.

In "Stopping by Woods," the peaceful woods represent the conflict of society and nature and the tiniest aspects of nature represent the larger subject matter of death in "Design." These poems also share the common element of the poet's ability to utilize rhyme and meter. While the form of each poem is different, we can see the poet's talent for constructing complex poetry that reads simply. These poems also demonstrate how Frost is able to focus in on one very specific point in time and expound on it.

Overgrown paths in the forest, snow-filled woods, spiders, and moths seem to be insignificant but Frost manages to pull something of meaning out of these rather ordinary occurrences. These aspects of Frost's poetry.