This law details the specifics of the Stop Online Piracy Act (SOPA). It presents pro-SOPA and anti-SOPA arguments. It discusses balancing the need for free speech with preserving the artist's right to profit off of his or her content.
SOPA
Objective argument: The Stop Online Piracy Act
The Internet has been called the new Wild West: there is a great deal of profit that can be made, in terms of availability of information, but there are also many hazards, due to the lack of regulation. One attempt to create a 'kinder, gentler' Internet is the Stop Online Piracy Act (SOPA). The Act would create a kind of "national firewall by censoring the domain names of websites accused of hosting infringing copyrighted materials" (Losey & Meinrath 2011). Supporters of mainstream entertainment companies are strong supporters of the Act, which they hope will radically reduce the amount of pirated content available online. Copyright holders as well as the Department of Justice could 'take down' websites with an injunction, if there was evidence that the website was disseminating pirated content. If SOPA passes, it could enable the entire domain name of tumblr.com down based upon the copyright infringement of a single blog (and Tumblr hosts many, many blogs). The responsibility of website hosts would increase dramatically, and it would also be much more difficult for website venues to host various sources of content, because of the potential for their liability, should users accidentally or intentionally violate copyright laws.
The first criticism of SOPA is that it would effectively punish suspected infringers even before they received a fair hearing in court. "These shutdowns would happen before a site owner could defend himself in court -- SOPA could punish sites without even establishing whether they are guilty of the charges brought against them" (Losey & Meinrath 2011). Critics contend that the law provides no recourse for "legitimate sites that might get swept up along with the rogues" (Oremus 2011). Given that many legitimate hosting sites are run by small operators with little funding for legal counsel, SOPA could have a silencing effect upon many sites devoted to publishing legitimate materials with legitimate points-of-view. It could shut down sites, or could force site owners to engage in radical censorship of contributors, to avoid falling foul of the law.
Constitutional scholars have rallied against the law. "The law appears to disregard some of the 'safe harbor' provisions established in the 1998 Digital Millennium Copyright Act, which has protected sites such as YouTube as long as they take down copyrighted content upon request" (Oremus 2011). Opponents of SOPA argue that this provision of the 1998 Act provides enough protection for copyright holders. SOPA, in contrast, could theoretically suspend YouTube, based upon a disgruntled copyright holder, even before the case was finally decided by a judge or jury. Proponents of SOPA state that because the law deals with intellectual property, once the material has been released to the public on the widely-seen venue of the Internet, the damage has already been done. (However, as a practical matter, some copyright violators have looked the other way when their content is illegally broadcast, because of the positive publicity it garners for the artist).
SOPA has been called censorship and in violation of the First Amendment. It also requires Internet Service Providers (ISP) s to "prevent access to infringing sites by making efforts under order to block web browser requests for flagged domain names. The prospect of domain name system (DNS) blocking and filtering has alarmed some who believe it would be intrusive and undercut the secure structure of the Internet" (Gardner 2011). In other words, not only would servers have to police those who post on their own sites, they would have to ensure that their users did not include links to domains that disseminate potentially illegal copyrighted material. Service providers are obligated to "cut off access to pirate sites" (Gardner 2011). This is one reason that Google Executive Chairman said the bill would "criminalize linking and the fundamental structure of the Internet itself" (Gardner 2011). One of the most positive developments of the Internet has been to create connections between people through hyperlinking. If SOPA passes, it is difficult to see how links to other user's content would not be discouraged, except for major websites. Smaller websites that were unknown might not be linked to, simply because users would fear that they would be flagged for the ISP as a potential violator and linker to a private site.
One of the most controversial provisions of the Act is how foreign 'rogue' websites are defined. The recent Manager's Amendment to SOPA was passed, "narrowing definitions of bad actors, limiting the private right of action that allow copyright and trademark owners to sue, and addressing concerns that anti-piracy measures could eventually denigrate the security and integrity of the Internet" (Gardner 2011). The Manager's Amendment also eliminated the legal duty of servers to monitor activity on a network or face criminal penalties. However, the website could still be taken down, which would mean that the business of many servers could be hampered.
Some of the bill's critics acknowledge the need for greater regulation. One alternative bill entitled the Online Protection and Enforcement of Digital Trade Act (OPEN). OPEN would allow copyrights-holders "to file petitions against 'rogue' foreign sites with the International Trade Commission, which would then be allowed to attack the financial backbone of these sites by drying up funds from credit card processing companies. Supporters of SOPA doubt the remedy goes far enough to properly address piracy by enhancing obligations from service providers" (Gardener 2011). Civil libertarians state that OPEN still goes too far in terms of its ability to limit free speech.
The international community has spoken out against SOPA, denouncing it as hypocritical, given the U.S. State Department's vociferous criticism of China and other nations that attempt to police the Internet for their citizens, indirectly and directly infringing upon the openness of the World Wide Web. "This attempt to unilaterally censor the Internet has spurred worldwide opposition, with several dozen international organizations signing a letter stating that "[t]hrough SOPA, the United States is attempting to dominate a shared global resource" (Losey & Meinrath 2011). Last month, the European Parliament adopted a resolution underscoring "the need to protect the integrity of the global internet and freedom of communication by refraining from unilateral measures to revoke IP addresses or domain names" (Losey & Meinrath 2011).
The battle between SOPA supporters and opponents has been called a battle between 'Hollywood and the geeks,' or representatives of the mainstream media vs. technology companies and website owners and users who favor freedom of access. Supporters contend that all holders of copyrights will benefit, both large and small, given that the Internet's lack of regulation is compromising the ability of people to profit off of their work, and that art of all kinds will be compromised if more stringent protections are not put into force. However, digital copyright laws do exist, and websites such as YouTube must be compliant with current copyright regulations, just as musical download websites must be compliant with the Supreme Court decisions against online websites like Napster that 'gave away' content for free without restitution to the artists.
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