Free Will and the Crowd in Orwell's "Shooting an Elephant"
This essay analyzes George Orwell's "Shooting an Elephant" through the lens of free will and determinism, arguing that the narrator lacks genuine free will when he kills the elephant. Drawing on Walter T. Stace's definition of free will from "Is Determinism Inconsistent with Free Will?", the essay demonstrates that Orwell's action is predetermined by imperialist social forces rather than personal volition. The paper examines rhetorical elements — logos, ethos, and pathos — to show how the pressure of a two-thousand-strong crowd effectively overrides the narrator's own reluctance, compelling him to act against his conscience in service of the crowd's expectations and the colonial role he is forced to embody.
- Introduction: Free Will at the Heart of Orwell's Essay: Thesis: crowd overrides officer's free will
- The Crowd's Volition Overrides the Officer's Will: Stace's determinism applied to Orwell's shooting
- Logos and the Narrator's Emotional Numbness: Logos and pity reveal forsaken personal volition
- Ethos and the Collapse of Personal Agency: Crowd's ethos renders Orwell's will obsolete
- Conclusion: Free will absent; crowd dictates Orwell's act
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What makes this paper effective
- It anchors the literary argument in a clear philosophical framework — Stace's definition of determinism — giving the analysis theoretical grounding beyond mere plot summary.
- The essay organizes its argument around three classical rhetorical appeals (logos, ethos, and an implied pathos), providing a structured and recognizable analytical framework for the reader.
- Direct textual quotations from Orwell are closely read and interpreted, with specific attention to diction (e.g., "devilish," "terrible"), demonstrating genuine close-reading practice.
Key academic technique demonstrated
The paper demonstrates how to synthesize a philosophical source with a literary text. Rather than treating Stace's definition as mere background, the essay applies it as a diagnostic tool — testing Orwell's situation against the criterion that actions driven by remote causal chains negate free will. This cross-disciplinary move strengthens the argument and elevates the analysis above a simple thematic reading.
Structure breakdown
The essay follows a clear five-part structure: an introductory paragraph establishes the central thesis; three body paragraphs each develop a distinct line of evidence (Stace's determinism framework, logos in Orwell's narration, and ethos of the crowd); and a brief conclusion restates the thesis. Each body paragraph opens with a topic sentence that explicitly ties back to the concept of free will, maintaining tight argumentative cohesion throughout.
Introduction: Free Will at the Heart of Orwell's Essay
George Orwell's essay Shooting an Elephant deconstructs several notions about the concept of free will. Free will is at the crux of this work, which concerns a young police officer — Orwell himself — in British-occupied Burma who is called upon to stop a rogue elephant. The author states explicitly, in several places, that he does not want to shoot the elephant; moreover, when he finally comes upon the animal, it is behaving peacefully. Nevertheless, a large crowd has gathered around him, and that crowd ultimately compels him to kill the beast. A thorough analysis of the essay reveals that the primary conflict is between the will of the officer and the will of the crowd. A sustained examination of the factors that lead the officer to shoot the elephant clearly indicates that he did not exercise free will in slaying it, and that he was acting in accordance with the crowd's volition rather than his own.
Works Cited
Orwell, George. "Shooting an Elephant." www.online-literature.com. 1939. Web.
Stace, Walter T. "Is Determinism Inconsistent with Free Will?" Current Issues and Enduring Questions. Ed. Sylvan Barnet and Hugo Bedau. New York: St. Martin's, 1999. Print.
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