Casablanca
Considered to be one of the best films of all time, Casablanca centers on Rick Blaine, an American expatriate living in Casablanca and his role in helping people escape the clutches of the ambitiously overreaching Third Reich. Rick is the owner of nightclub and casino that caters to a variety of people from Nazis to the French to refugees attempting to flee Casablanca and the Third Reich. During the course of the narrative, it is revealed that Rick is emotionally hung up on Ilsa Lund with whom he had an affair with while he was still living and working in Paris. One of the film's central motifs is the song "As Time Goes By," which is used to highlight the relationship between Rick and Ilsa and is used exclusively to connect them.
Casablanca's narrative follows Rick as he attempts to exclude himself from any involvement between those attempting to leave Casablanca and the government officials, both French and German, that try and prevent them from leaving. A major theme that arises within the narrative is the relationships between people. Rick is a first hand witness to the lengths that people will go to in order to ensure that their loved ones are given safe passage out of the country. This of course leads Rick to become more bitter about life and love because he had his heart broken by Ilsa right before he moved to Casablanca. Although Rick is sure that he will never see Ilsa again, she coincidentally arrives at Rick's Cafe Americain with her husband, Victor Laszlo, the man for whom she abandoned Rick for. At the cafe Ilsa runs into Sam, a piano player and a mutual acquaintance, and she requests that he
Narrative Analysis on "Confessions of a Stupid Haole" Yokanaan Kearns's short story "Confessions of a Stupid Haole" explores the broad and multifaceted issue of cultural integration in the United States. The plot scenario for the story involves a Harvard professor who loses her job and returns home so that she can bid her dying grandmother farewell. Additionally, the heroine, Yap, has lost her position as professor and will need to move
Narrative of Frederick Douglass Slavery is perhaps one of the most common forms of human justice in the history of the world. Although the phenomenon has existed for centuries, across many cultures, a particularly brutal form of the phenomenon was perpetrated in the United States before its abolition. It is, however, a testament to the human spirit that some, like Frederick Douglass, had the inner will and drive to escape overwhelming
I would beg to differ with this, because of specific stories that place the human spirit far above the sum of its physical parts. I read a document by Jewish captives I a Nazi camp once. They went through the most terrible of physical hardship. There was no food, or food was at least inadequate. There was not sufficient health care, and, for most inhabitants, they have been separated from
Science holds that there is a central "truth" to every artifact, which is seen as the primary evidence for the specific time period investigated. This is then used in writing cultural histories. Once again, this relates with the above-mentioned assertion by Bassi, that the visual orientation and accurate depiction of recent history via the visual media inspires the same for art from periods before such technological advancements as photographs.
Mr. Murdoch's rehearsal of his presentation indicates an attempt to verbally convince the Chinese of his goodwill. It does not however include a connection with the Chinese way of thinking. This is what the actual narrative during the meeting provides. The initially cold Chinese reception of Murdoch and his company indicates the truth perceptions initiated by Murdoch's earlier speech. His willingness to however participate in Chinese narrative protocol does win
The narrator in Balzac's novel is passing judgments and making comments related to the characters and their environments, in the purest realist style. He is observing and describing as if he was watching them through a huge magnifying glass. His own opinions are less transparent than in the case of Oliver Twists' narrator. He chooses to stay detached and observe and record instead of sympathizing with one or the
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