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" Koolhaas obviously wants to employ his program to affect positive social change and is concerned with the urban environment and the way it is used and abused by architecture. Tschumi, on the other hand, is more concerned with forging an open-ended approach that serves to interrogate structures and thus "do violence," in an aesthetic sense, to the urban environment: "Any relationship between a building and its users is one of violence, for any use means the intrusion of a human body into a given space, the intrusion of one order into another."
It is interesting to note that literature has played a firm role in the practices of both Koolhaas and Tschumi - as well as their respective conceptions of "Program" and "event." Koolhaas actually...
In such works as 1981's the Manhattan Transcripts, Tschumi departed from literary techniques stemming from the French nouveau roman movement. In the case of Koolhaas, one readily sees the writer at work in his notion of the "Program," since the Program is effectively a means of editing one's environment - just as the fiction writer will edit his novel or short story before submitting it for publication. In predicating his architectural program on the event, Tschumi effectively hijacks the central premise that fiction is built on - that is, narrative occurrences or "events" that disrupt the natural order of things. This puts Tschumi effectively in line with the novelists of the nouveau roman, whose in-depth descriptions of events diverged from traditional literary models.
Bibliography
Foster, Hal. 2001. Bigness. London Review of Books. November 29.
Sadler, Simon. 1998. The Situationist City. Cambridge: MIT Press.
Tschumi, Bernard. 1994. Architecture and Disjunction. Cambridge: MIT Press.
Bernard Tschumi, Architecture and Disjunction (Cambridge: MIT Press, 1994), 122.
However, from 2008 the number began to decrease slightly. The rate of increase in the number of children aging out of the United States foster care system from 1998 to 2007 is 71.7%. Whereas the rate declined by 0.71% in the year 2008. In the year 2009, there was again a decline of 0.33%. In the year 2010, the number of children aging out of foster care system declined
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The first movement, Allegro con fuoco ma non-troppo is a stormy kaleidoscope of notes, swift yet ominous, cascading in a burst of sound, then lulling to brief stops. There are periods of piece and respite, then of motion, much like a person wandering. The second movement, the Adagio that contains the original song is stormy, much like the poem that inspired Schubert to write. Quintessentially Romantic, brooding, and in