The supernatural element is also often present in the Arthurian legends, such as the appearance of the Green Knight in Sir Gawain, and it is an important part of the mystical experiences described in the legends. In a sense, the knights, just like the epic heroes, are confronted with the supernatural so as to prove their worthiness, but the difference is that the knights, such as Lancelot, Percival or

This contrasts the identification process of medieval works, in which the reader was encouraged to identify with a hero's inhuman qualities -- inhuman virtue in the case of books of chivalry. In those works the reader was called to identify himself with a god -- or even God proper -- but in Hamlet the reader is called only to identify himself with another, equally flawed man. Finally, in the question

Where Are You Going this assignment did not pass the instructors critique-her comments below: anthony, Thank sharing group project contributions. Your team a good job discussing text managing responsibilities group tasks group discussion board / group live chat, Suburban tragedy: The character of Connie in Joyce Carol Oates' "Where are you going, where have you been?" In her short story "Where are you going, where have you been?" Joyce Carol Oates describes the fate

Madame Merle's opening diatribe -- or at least, her lengthy monologue of dissatisfied pronouncements -- makes it clear that gender had a great deal to do with personal definition and constraint, in her view, and though Isabel protests it must be acknowledged that there is some truth to her assessment. At the same time, Madame Merle fully adopts and thus allows herself to be constrained by the notion that she

(Eliot, 1971). The Subjective over the Objective Modernism was a reaction against Realism and its focus on objective depiction of life as it was actually lived. Modernist writers derived little artistic pleasure from describing the concrete details of the material world and the various human doings in it. They derived only a little more pleasure from describing the thoughts of those humans inhabiting the material world. Their greatest pleasure, however, was

Even with this, he cannot help but criticizing individuals whom he considers to be inexperienced in life in general. "I've never met such frivolous people as you before, or anybody so unbusinesslike and peculiar" (Chekhov 37). Lopakhin and Ranevskaya could on the surface be perceived as representatives of the ascending capitalist middle class and the degrading aristocracy, but the characters are far more complex than it appears, overcoming the social