Dreams are what give people hope. Dreams are the stuff of imaginings and day dreams. For the Younger family in a Raisin in the Sun, dreams provide each character a motivation and desire. The play shows each member of the Younger family's dream through various instances throughout the text. What starts off a desire or a whim, evolves into a defining moment for each Younger family member. The first of the Younger family to reveal his or her dream is Walter. Walter desperately desires to become wealthy. As a limousine driver, he barely makes enough to get by and plans on investing on a partnership with Bobo and Willy, that would produce a liquor store. Walter explains the liquor store idea to Ruth demonstrating his zeal to get out of the dilapidates surroundings he lives in. "...this little liquor store we got in mind cost seventy-five thousand and we figured the initial investment on the place be 'bout thirty thousand, see. That be ten thousand each. Course, there's a couple of hundred...
While she gives the remainder to Walter, Walter gives it to Willy who spends it and crushes Walter's dream of having a way to get out of his impoverished state. His desperation for wanting his dream to become a reality is what destroys Beneatha's dream (at least temporarily) and causes some of the drama see in the play. The liquor store is the symbol of Walter's dream and provides both meaning to Walter's character and the means of which to see his tragic flaw.
Arthur Miller was certainly aware of the nature of Greek tragedy and made a deliberate decision to use the structure of Greek drama as a basis for his play A View from the Bridge, as he had previously done for All My Sons. The central character, Eddie Carbone, fits well with the central figure in All My Sons and Death of a Salesman, being a family patriarch who has also
Oedipus as Tragic Hero One of the greatest classics of all Western literature is Sophocle'sSophocles' trilogy The Oedipus Plays may be considered one of the greatest literary works of the Western world. In tThe second of these plays, Oedipus the King, the protagonist, Oedipus the King, is described by Sophocles as a tragic hero. According to Aristotle, the characteristics of a tragic hero are - must be an influential person, is
Thus, the nobility of Antigone's character lies in her reluctance to condemn her sister, whereas her tragic flaw lies in her fanatical devotion to the men in her family, to the point that she wishes to lie with her brother's corpse. Antigone's fall comes when she is caught burying Polyneices' corpse, and the fact that her subservience to patriarchy is the precise reason for this fall is revealed in Creon's
Oedipus as Tragic Hero In most dramatic plays, tragedy usually strikes the protagonist of the play and leads him, or her, to experience devastating losses. While tragic instances can be avoided, there are other instances where one's fate and future is out of the protagonist's control. In Oedipus the King, written by Sophocles and first performed around 249 BC, Oedipus cannot escape his destiny and even though he tries to overcome
3.47-51). While Ophelia clearly is intelligent enough to take care of herself as well as offer her own rebuttals against the male characters' altogether creepy insistence on controlling her sexual life, she suppresses this intelligence and ability out of deference for her father. Thus, her eventual fall is inevitable and largely her own fault, because by allowing her relationship to her father to overshadow everything else, including her own thoughts
As Northrop Frye states, tragic heroes are “the inevitable conductors of the power about them...instruments as well as victims.” Tragic heroes experience great pain and suffering themselves, through which the audience members can contemplate their own faults. More than that, tragic heroes can bring about the destruction of others including those they love. Examples from classical literature like Oedipus and Hamlet provide obvious examples of how tragic heroes cause the
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