Strangelove, put him over the top" (p. 61). The learning curve was clearly sharp for Kubrick, and he took what he had learned in these earlier efforts and put this to good use during a period in American history when everyone was already ready to "duck and cover": "The film's icy, documentary-style aspect served not only to give the movie its realistic edge that juxtaposed nicely with its broad

Full Metal Jacket directed by Stanley Kubrick. Specifically it will discuss why the film is not fit for family entertainment. Stanley Kubrick is known for his violent and controversial films, from "Clockwork Orange" to this particular film. The film tells the story of Marine Corps recruits, first in basic training and then in combat in Vietnam, and it is definitely not a film for the entire family. It is

The colors used are also drab and grey-green dominates to evoke a sense of claustrophobic death and destruction. Another aspect that evokes atmosphere in the film is the use of music. Kubrick chooses a soundtrack which is both empty and banal yet also succeeds in emphasizing the loss of meaning and vacuity in what the young recruits have become. The director makes use of popular songs such as "These Boots

While "Kubrick's authorial style was viewed by both supporters and critics as an aloof criticism of the social scene" (Staiger 54), it is apparent that none of these supporters cared to question why, in fact, masculinity is so often contingent on "excessive displays of virility and violence" which it then uses to paradoxically maintain "its aspirations to the normal" (DeRosia 63). In depicting Alex murdering a woman with a

O Brother, Where Art Thou? Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou? Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is

He simply cannot escape these expectations. So, when Robert DeNiro takes on a comedic role, such as the role of the potential father-in-law in Meet the Parents, the moment he comes on the screen, the audience is aware that he is Robert DeNiro, in addition to the character that is being portrayed. Therefore, his character can do things that other characters could not. Who but Robert DeNiro could portray