Story Of A Love Affair Term Paper

PAGES
4
WORDS
1159
Cite
Related Topics:

¶ … colors, when all you could see was black and white, when nobody could think of a featured film, it was then that the director Antonio came up with a film "story of a love affair" which challenged the traditional ideas and themes. Cronaca di un amore is an Italian black and white drama film which was released in 1950. The movie is known as 'Chronicle of a Love' in the United Kingdom, and 'Story of a Love Affair' in the United States of America. It was the first venture of the director Michelangelo Antonioni as a whole length feature film. Before this the director Michelangelo Antonioni has been famous for different short films and he was also given the opportunity to direct a documentary about the internal works of an asylum but he abandoned this opportunity. Story of a Love Affair was his first narrative feature film (Venturi, 1955). With his powerful grip on directions, Antonio hasn't failed though the movie could have been better if he had worked on the script more. Moving towards the film, one can see how Antonio has saved his movie, by getting rejected, with the help of some moments which take the audience breath away. People may remember Story of A love affair with some another name, probably 'Cronaca di un amore' or 'Chronicle of a Love however, this film is popularly known as Story of Love affair in many parts of the world which is the first narrative feature film by an Italian director.

Italian Cinema and its History

Neo-realism phase of Italian cinema emerged and surfaced from the false consciousness and other characteristics of the period of cold war was that people were looking for affection, warmth, and tenderness in the simulated environment and therefore the neo-realist films and movies of the Italian cinema were appreciated by the critics for showcasing and presenting the concept of sweetness and humanity (Bondanella, 2007).
The Italian cinema made a rapid growth during the period of Second World War when there were less or no American films and the German cinema was enjoying monopoly over the market of the Europe. After Second World War, the film industry and cinema of Germany was demolished and destroyed but at that time the French and Italian cinema was at verge of growth and dominating the market (Bondanella, 2007).

After the decline of the neo-realism the Italian cinema entered into the phase of the post neo-realism which was marked by movies and films about topic other than the warmth, affection, and sweetness. 'Story of a Love Affair' is the movie of an era which showed betrayal, jealousy, suspiciousness, and murder plot and changed the sweet and caring image of the Italian films and movies (Bondanella, 2007).

About the Movie

The main stars of the film were Massimo Girotti, Ferdinando Sarmi, Lucia Bose, and Gino Rossi. The film is known to be a sleek and attractive post neo-realism film which contributed in taking the charm and attraction of Italian cinema with film noir into the psychologically dangerous and risky region (Johnston, 2006).

When Michelangelo Antonioni died in 2007, he left behind some remarkable work such as "the passenger." However story of a love affair, released in 1950, is where Antonioni's own…

Sources Used in Documents:

References

Bondanella, P. (2007). Italian cinema: from neo-realism to the present. NY: Continuum International Publishing Group Inc.

Johnston, I. (2006). "We're not happy and we never will be." Bright Lights Film Journal, 53.

Venturi, L. (1955). Notes on Five Italian Films. Hollywood Quarterly, 5(4), 389 -- 400.


Cite this Document:

"Story Of A Love Affair" (2011, April 20) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/story-of-a-love-affair-119698

"Story Of A Love Affair" 20 April 2011. Web.25 April. 2024. <
https://www.paperdue.com/essay/story-of-a-love-affair-119698>

"Story Of A Love Affair", 20 April 2011, Accessed.25 April. 2024,
https://www.paperdue.com/essay/story-of-a-love-affair-119698

Related Documents

It was during this time that Nick and Terese welcomed their second son, Riley, into the world. After a brief hiatus from cooking, Nick's passion could not be contained and he, Terese, Nicholas, and Riley moved back to Florida where Nick and Terese made headlines after selling pressed sandwiches out of 1969 Volkswagen Bus. Although Nick and Terese gained recognition for the delicious sandwiches they sold, they yearned to return

Love is a personal issue that attracts public debate with each person giving it their own approach as understood or experienced in the past. The two stories herein look into people in search of love and another set, a group of people trying to understand the love they have experienced in the past. There are depiction of people trying to get into terms with what love is and trying to

Love Triangle Story Lines of Lancelot, Arthur and Guenivere to Tristram, King Mark and Isolde from Malory's Morte Darthur When Melanie McGarrahan Gibson says of the "Tale of Sir Gareth" in Sir Thomas Malory's Morte Darthur that "in the happiest ending of all of Morlay's tales, love and marriage triumph" (Gibson 220), she is touching on more than just the wholesome and happy nature of the tale. Though unique in

Garcia Marquez Love Love clearly exists within Love in the Time of Cholera, a novel by Gabriel Garcia Marquez. Garcia Marquez's masterful novel of the enduring love of Florentino for the beautiful Fermina describes love in a great many forms, and a great many ways. In the novel, love is strongly influenced by family, and often family itself begins to define love. Love within marriage is examined within the context of Fermina

“The Chrysanthemums” and “The Lady with the Pet Dog” Both Steinbeck and Chekhov offer realistic depictions of love and unhappiness in their respective stories. Chekhov paints a vivid picture of two unhappy people, each married to someone neither loves. They meet at a resort away from home and casually fall in love with one another. However, the reason they are able to fall in love so easily on this resort is

Love Med Love and Loss in Love Medicine The sad narrative of life on an Indian Reservation is one that cannot be told within the scope of a single generation. Instead, it must relayed across multiple interconnected generations persisting within a beleaguered collective culture. In many ways, this is the only way to gain a nuanced understanding of the way tribal life now persists, splintered by the invasion of the European lifestyle