Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Art and Photojournalism
Film and photojournalism have been extremely important aspects of war since their invention. One journalist wrote, "Photographic journalism is generally accepted as an authoritative source of visual information about our times" (Steichen 5). This is especially true of war photography, because the photographer's lens captures the horror and agony of war in a split second, and immortalizes it forever. Some of the most memorable photographs of the century are war photographs, from the sailor celebrating in Times Square with his sweetheart to the assassination of a Vietcong insurgent; the photos live on in our minds, and bring back the terror and emotion of the war experience. In World War II, film and photography brought the war home to American's doorsteps, and helped them understand just what the men were facing in Europe and Japan. Photos and film have done that for every war since they were invented, and they serve a vital purpose not only in keeping us informed, but also in keeping us cognizant of the world around us.
You don't have to paint a figure to express human feelings," and that is quite evident in art today, and art from the mid-twentieth century, such as the art of Jackson Pollock. Pollock's work does not contain anything remotely resembling figures, but there is something quite electric about his paintings, and they bring out strong emotions in the viewer. His abstract paintings at first just seem a jumbled mess of color, but if gazed at long enough, they take on patterns, hues, and certainly bring out emotions and feelings. Some of the paintings are vibrant and exciting, while others are subdued and more poignant. These are quite human qualities, but there are no humans in the paintings, they are simply forms and colors. Even when Pollock did paint figures, they were not "normal" figures, they were abstract creations, and they too evoked very human feelings. Color, shape, texture, and form can all express human feelings, and Pollock used all of these creatively and effectively to create a very human and real feeling in his paintings, even in the absence of any human forms in them. Art can convey many different feelings and emotions, as Pollock's art clearly shows.
References
Pioch, Nicolas. "Pollock, Jackson." Web Museum. 16 July 2002. 4 Dec. 2003. http://www.ibiblio.org/wm/paint/auth/pollock/
Steichen, Edward. Memorable Life Photographs. New York: Museum of Modern Art, 1951.
Grant This is a grant proposal to start a non-profit organization dedicated to promoting safe and socially conscious film documentaries and photojournalism. It is believed that many documentarians have conflicts when filming sensitive material, not due to the nature of the material itself, but to the fact that they are placed in the position of being bystanders while someone is being harmed. Their commitment to filmmaking comes in direct contact with
History Of Photography: From Ancient Times Into the Present Day Photography can be traced back to ancient times. Camera obscuras were "used to form images on walls in darkened rooms...via a pinhole" and the use of shadows (Greenspun 1999). This primitive technology remained unchanged until the 18th century. Then, one day, Professor J. Schulze mixed "chalk, nitric acid, and silver in a flask," which caused him to notice the "darkening on
Images of war, homelessness, and poverty also convey poignant messages that can be construed differently by different people. The photographer presents the image but the viewer deciphers it. When photographs like those from Walker Evans are used as journalistic content, they can become imbued with meaning and political ideology. Other images are less equivocal. For example, a shot of a homeless man sleeping on a bench in Beverly Hills
Dye transfer was developed during the 1920s and 1930s by printing the negatives with a variation of the carbon process (dye transfer), which is now called "assembly printing;" however, this was both tedious and time-consuming -- even though the pictures were beautiful. It wasn't until 1935 that Eastman Kodak came to market with a film that was made up of three-color emulsion coated on a single piece of plastic
Track II diplomacy takes over when Track I fails. A third great revolution has been described as enveloping the world in modern times (Wriston 1997) and the catalyst has been technological change. Technology, or telecommunications, has astoundingly affected the sovereignty of governments, the world economy, and military strategy. What took a century for the Industrial Revolution to do is nothing like what the combination of computers and telecommunications has been
Photographers: Exploring the World Through Their Lenses Documentary Photography: a depiction of the real world by a photographer whose intent is to communicate something of importance -- to make a comment -- that will be understood by the viewer. (Documentary Photography 12) When the camera was invented, photographers learned that they no longer needed oil paint and brushes to capture a scene or a person. On film, they could now record the