Film Noir The Heist Film Term Paper

Length: 4 pages Subject: Film Type: Term Paper Paper: #45556172 Related Topics: Movie, Film, Robbery, Film Analysis
Excerpt from Term Paper :

In the heist itself, time overlaps, and actions that have already been shown are repeated from another character's point-of-view. The audience is left to pout the pieces together so that we see a character do something and then se how it helps the next action lead to the desired conclusion.

At the racetrack, with the announcement of the start of the fifth race, the film cuts to Johnny, in the words of the voice-over narrator "beginning what might be the last day of his life." Such a voice on the soundtrack emphasizes again the uncertainty of the course of action being taken by these criminals, contributes to the suspense, but also keeps a sense of doom in the film, as if the ending were already known by Fate. From this point until the end of the robbery, the pace of the film speeds up as the camera cuts from one completed action to the next, playing out the well-thought-through plan. And shifting the point-of-view among the main characters until they are all in place for the robbery itself. The film finally focuses on Johnny, who is the only person to actually carry out the robbery and gather up the money. There is no conversation during this sequence aside from a few barked orders from Johnny and commentary by the voice-over narrator, a seemingly objective outside voice suggesting that some greater power is watching over all that takes place and that there will be an
He kills no one and hurts no one, and neither do any of the rest of his team (with the exception of the man who kills the horse). Once the robbery is compete the pace slows as the camera leave the gang and shifts to the other gang waiting for the money to arrive. In no way is the audience made to feel part of this separate plot, nor could it be since all audience sympathy is with the central characters, in part based on the professional way they have acted and the way they have avoided hurting anyone.

The Killing is typical of the noir genre in ways other than its characters, notably in the use of interior settings with low key or single-source lighting, with a stark atmosphere maintained throughout, with a central cast of known character types, and with a sense of impending doom from the first. When the end does come, even the main character sees it as the only possible conclusion to which all has been tending, and he simply gives up, surrendering…

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