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Film Criticism of Casablanca
Casablanca, one of the most famous films of the last one hundred years, uses various film and music techniques to convey the story of Humphrey Bogart and Ingrid Bergman's tragic love triangle set in World War II's North Africa. The film connects on many human levels due to its use of seamless shots including close-ups, deep focus and dissolves to name a few. The technique of mis en scene, which literally means use of stylistic items such as scenery, lighting and costumes also artistically builds the drama. The use of music also plays a huge role in setting the scene for romance in the film. It, too, can be considered a character, after all no one can forget the line "Play it again, Sam." The following paragraphs takes an in depth look at such examples in the...
The voice over quickly cuts away to action creating suspense and captivating the viewer. The background music is also cut dramatically to follow this scene. The outside action is edited in short cuts to emphasize the drama. In contrast when inside Rick's Place, the shots are longer and in deep focus to create an attachment to the characters and their unique situation. Once the Humphrey Bogart character realizes that the Ingrid Bergman character has returned to Casablanca, his reaction of sadness and regret is painted in darkness. In contrast, the next scene as a flashback of his memories of being…
Work Cited
Casablanca. Dir. Michael Cutriz. Perf. Humphrey Bogart and Ingrid Bergman. Warner Bros, Inc., 1942.
Emile Zola and the Movies The translation of any work of literature into another medium, even one apparently so closely aligned with the written word as film, is always a chancy proposition. While literature and film focus themselves on the same targets within the minds of their audiences; that of completing an organic connection between the conception and the reception of an idea, the very natures of the two disciplines demand
War Films Taking Jeanine Basinger at her word would leave us with far fewer war films than we think we have. Basinger is a 'strict constructionist,' accepting as war films only those that have actual scenes of warfare (Curley and Wetta, 1992. p. 8; Kinney, 2001, p. 21). That means that the four films that will be considered here, and especially the two World War II films, are not war films.
These powers are unique to Keaton, who has been widely considered superior to Charlie Chaplin for his "gentle coolness" and "deadpan bewilderment," (MacDonald 6). Both in the General and Sherlock Jr., Keaton is at his best. However, the General is a deeper and more memorable movie from the point of cinematography, direction, editing, and acting. Buster Keaton is one of Hollywood's shining stars of the silent era. After the advent
Cinema 1950s 1950s was a decade of change for the U.S. - cinema was no exception, as it modeled itself to accommodate the social changes U.S. society was going through. Films not only provide entertainment to masses but are also believed to express the general outlook of society by the way it sets and adopts trends. 50s was marked by postwar prosperity, rising consumerism, loosening up of stereotype families, baby boom
Music and Dance in Indian Films In sheer quantity, INDIA produces more movies than any other country in the world-over 900 feature-length films in at least 16 languages, according to a recent industry survey. This productivity is explained by several factors: the size of the Indian audience, low literacy rates, the limited diffusion of television in India, and well-developed export markets in both hemispheres. (http://worldfilm.about.com/cs/booksbolly/) In its historical development, India's film industry
Spartacus An Analysis of Stanley Kubrick's 1960 Spartacus Gerald Mast (2006) notes that "as with Renoir, Kubrick's social evils are human evils; the problem is human nature," (p. 542) and such can easily be applied to Kubrick's 1960 Spartacus -- despite the fact that the film cannot really be said to be his. Spartacus is more Kirk Douglas' vehicle than anything. Bought by Douglas, the story was meant to be his answer