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This film is distinguished from the average samurai film by the director's "masterful handling of cinematic technique," in which he captures the essence of a scene in a mere few moments with a series of glances rather than dialogue and special effects.
Moreover, Kurosawa creates a moral complexity of good and evil, creating sympathy for both the samurai and the farmers, and although the samurai are portrayed as heroic while the farmers are weak, he "also points out that heroic deeds are not always performed for noble reasons, and that there are different kinds of heroism." Kurosawa creates a "delicate juxtaposition between the samurais' graceful art of combat and the barbaric reality of war." The DVD contains the full-length version, 208 minutes, of the film, along with commentary by Michael Jeck. "Seven Samurai" is a classic film that will continue to influence film-makers everywhere.
At the end, Kambei, the leader of this small group of samurai, realizes that the farmers, although weak, are the lucky ones, for they are at one with nature, "participating in the timeless ritual of life, death, and rebirth, symbolized by the communal rice planting," something which the samurai cannot participate. The farmers have roots, a community of family and friends who grow their own food and raise their families, "all of which are intergenerational, cyclical activities," while the samurai are rootless, destined to wander from one battle to the next.
This movie is surprisingly stunning, a visual masterpiece. The use of light and shadow creates a beautiful film that is comparable to any of Hollywood's great black and white movies from the 1930's and 1940's, such as "Citizen...
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Works Cited
Arnold, Gary. "Seven Samurai Still Gritty and Great at 50." World and I. October 01
2004. Retrieved October 08, 2005 from HighBeam Research Library Web sit.
Akira Kurosawa. Retrieved October 08, 2005 at http://www.filmref.com/directors/dirpages/kurosawa.html
Jidaigeki. Retrieved October 08, 2005 at http://www.absoluteastronomy.com/encyclopedia/j/ji/jidaigeki.htm
Morris, Gary. "Seven Samurai." Retrieved October 08, 2005 at http://www.brightlightsfilm.com/17/10_samurai.html
Seven Samurai. Directed by Akira Kurosawa. 1954. Toho Company Ltd.
Seven1 Samurai. Magill's Survey of Cinema. June 15, 1995. Retrieved October
08 2005 from HighBeam Research Library Web site.
Jidaigeki. Retrieved October 08, 2005 at http://www.absoluteastronomy.com/encyclopedia/j/ji/jidaigeki.htm
Seven1 Samurai. Magill's Survey of Cinema. June 15, 1995. Retrieved October
08 2005 from HighBeam Research Library Web site.
Seven Samurai. Directed by Akira Kurosawa. 1954. Toho Company Ltd.
Morris, Gary. "Seven Samurai." Retrieved October 08, 2005 at http://www.brightlightsfilm.com/17/10_samurai.html
Seven1 Samurai. Magill's Survey of Cinema. June 15, 1995. Retrieved October
08 2005 from HighBeam Research Library Web site
Akira Kurosawa. Retrieved October 08, 2005 at http://www.filmref.com/directors/dirpages/kurosawa.html
Seven1 Samurai. Magill's Survey of Cinema. June 15, 1995. Retrieved October
08 2005 from HighBeam Research Library Web site
Arnold, Gary. "Seven Samurai Still Gritty and Great at 50." World and I. October 01
2004. Retrieved October 08, 2005 from HighBeam Research Library Web sit.
Seven Samurai. Directed by Akira Kurosawa. 1954. Toho Company Ltd.
Works Cited
Arnold, Gary. "Seven Samurai Still Gritty and Great at 50." World and I. October 01
2004. Retrieved October 08, 2005 from HighBeam Research Library Web sit.
Akira Kurosawa. Retrieved October 08, 2005 at http://www.filmref.com/directors/dirpages/kurosawa.html
Jidaigeki. Retrieved October 08, 2005 at http://www.absoluteastronomy.com/encyclopedia/j/ji/jidaigeki.htm
Morris, Gary. "Seven Samurai." Retrieved October 08, 2005 at http://www.brightlightsfilm.com/17/10_samurai.html
Jidaigeki. Retrieved October 08, 2005 at http://www.absoluteastronomy.com/encyclopedia/j/ji/jidaigeki.htm
Morris, Gary. "Seven Samurai." Retrieved October 08, 2005 at http://www.brightlightsfilm.com/17/10_samurai.html
Akira Kurosawa. Retrieved October 08, 2005 at http://www.filmref.com/directors/dirpages/kurosawa.html
Spirit of the Samurai I suppose I became a modern Samurai through the experience of my father's death. My father belonged to the old school of Samurai philosophy -- a way of life that I despised for one reason - he committed ritual suicide known to the Samurai as Seppuku, or Hara-kiri. I remember the day that he died. It was cold and very early in the morning when he
Just a half century ago, though, the country was brought to its knees after becoming the first - and only - country to ever be attacked with nuclear weapons. While the pundits continue to debate whether the two atomic bombs used to end World War II were truly necessary, the fact remains that they were used because policymakers in the West believed that the Japanese people would defend their
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movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios"