Christian Language And Play In Education Research Paper

PAGES
4
WORDS
1293
Cite

Jerome Berrymans Contributions

Jerome Berrymans theory of Godly Play is a variation on the Maria Montessori method of education (Allen, n.d.). Berryman conceptualized Godly Play as more like spiritual guidance than what is typically thought of in the church as childrens education. It involves children and adults, as guides, moving together toward fluency in the art of knowing how to use Christian language to nourish their moral and spiritual development (Allen, n.d.). The foundation for this view on childrens education was, ultimately, in the Montessori tradition, for Berryman considered himself to be a Montessorian (Hyde, 2011a, p. 342). Central to Berrymans conception of the education of children was Christian language: he believed children should be fluent in Christian language before they reach adolescence; this way their holy religion is in them, is like second nature to them, is what contextualizes and frames their thoughts, words, and actions (Berryman, 2019).

Berryman was born in 1937 in Ashland, Kansas, a ranch and wheat farming community. He has been a lifelong Christian who married his wife Thea in 1961 and with whom he had two daughters born five years apart. His youngest daughter was born with spina bifida, which likely contributed to Berrymans sensitivity to the topic of children with special needs, which he frequently touched upon in his writings (Allen, n.d.). Berryman received a Bachelor of Arts in 1959, and went on to receive a master of divinity in 1962, a doctoral law degree in 1969, and a doctoral degree in ministry in 1996, just before his sixtieth birthday. Ordained an Episcopal priest in 1984, Berryman He had an accomplished career but is best known for his theory of Godly Play. He has held many workshops, conferences, and has consulted widely among various schools and hospitals.

His main interests were in associating the teaching methods of Maria Montessori with childrens play, learning, imagination, and the Christian religion. He wanted the education of the child to be something organic that develops naturally rather than something that is forced on the child that the child might resist and push away because not ready for it or not comfortable with it. A child is a developing human being with a free will, an imagination (often expressed through creative play), and a desire to learn (often expressed through the watching of others in their play and interaction). Berryman saw that the role of adults in the education of children was simply to serve as guides and supports so that children could be kept safe during this learning, searching, and playful development. Central to Berrymans approach to what he called Godly...…that time during which they are most vibrant. Berryman recognized the beauty in the play-centered educational process and promoted it whereas Montessori felt the need to get around that label. In this sense, Berryman believed he was developing and enriching the Montessori method.

Berryman also believed that play was ultimately the driving factor in all learning and that when people are at play they are full of life and are open to life and the mysteries that God teaches through life. He viewed fake play or pseudo-play as parasitic and as dangerous to education because it was closed to life and numbing to a childs mind and creative spirit. For Berryman, the proper use of the imagination was the most important factor in the education of the child and so long as that imagination was guided by religious inputs and Christian language it would retain the Christian character that is most pleasing to God.

Berrymans major influence on education was, therefore, to help educators see that in Godly Play children could come to possess a deep down religious education while enjoying a proper development of imagination and will. Through interactivity with others, and meaningful serious play, children could make full use of their time. And through immersion in Christian language, they could be like seeds planted in good soil…

Sources Used in Documents:

References

Allen, H. C. (n.d.). Jerome Berryman. Retrieved from https://www.biola.edu/talbot/ce20/database/jerome-berryman

Berryman, J. W. (2019). Holy Story, Sacred Play: Helping Children Become Fluent inFaith.”. The Christian Century, 136, 22-25.

Hyde, B. (2011a). Montessori and Jerome W. Berryman: Work, play, religious educationand the art of using the christian language system. British Journal of Religious Education, 33(3), 341-353.

Hyde, B. (2011b). Berryman and the purpose of religious education: The significance ofBerryman’s approach to religious education for Catholic schools. Journal of Catholic School Studies, 83(1), 20-28.


Cite this Document:

"Christian Language And Play In Education" (2022, May 12) Retrieved May 2, 2024, from
https://www.paperdue.com/essay/christian-language-play-education-research-paper-2179677

"Christian Language And Play In Education" 12 May 2022. Web.2 May. 2024. <
https://www.paperdue.com/essay/christian-language-play-education-research-paper-2179677>

"Christian Language And Play In Education", 12 May 2022, Accessed.2 May. 2024,
https://www.paperdue.com/essay/christian-language-play-education-research-paper-2179677

Related Documents
Play and Literacy Play and
PAGES 16 WORDS 4372

However, according to Johnson, Christie, and Yawkey, (1999), "play is an extremely difficult concept to define -- there are 116 distinct definitions listed in the Oxford English Dictionary!" Some adults think play is trivial while others believe play makes vital contributions to all aspects of child development. While we cannot define play, there are telltale signs of play that are recognizable. Some examples of play involved students freely choosing to

Play: Aspects the Use of
PAGES 4 WORDS 1317

The freakish nature of the modern world seems to have infected even the way the young woman sees herself -- she calls herself 'dead' because the old woman refers to her as 'dead' even though she is clearly alive. She passively submits to the idea that she will be eaten, unflinchingly asking how she will be cooked, and what will be served with her 'feast.' In the context of the

It awakened her imagination and excited her about the theater, and it also instructed her, forming the basis for her future art. Another contributor, Beth Henley, has a very different memory: of being greatly disappointed at the ordinariness of a princess in a production, and her dissatisfaction with the actress' performance. Casting is everything. Henley learned at an early age. Many of the authors detail unconventional encounters with theater that

Play on One Hand, Shaw's
PAGES 4 WORDS 1128

Warren's business partner and has in fact invested 40,000 pounds in the venture. In his own words, "The fact is, it's not what would be considered exactly a high-class business in my set -- the county set, you know.... Not that there is any mystery about it: don't think that. Of course you know by your mother's being in it that it's perfectly straight and honest. I've known her

Play Susan Glaspell's play Trifles is filled with moral questions and ethical ambiguity. Throughout the one-act play, each character makes moral and ethical choices that affect the outcome of the investigation. Their moral choices also reveal key things about their characters, their worldview, and their ethical codes. At the center of the play is Minnie Wright and her dead husband John. Death is often a moral matter. If John had committed

The last part of the show, Ms. Fisher, now at age 54, has her old and well-known Princess Leia "Cinnamon Bun Hairstyle" telling her audience how much she hated her character's hairdo since she felt it made her face look even rounder while taking two hours every day to style. Ms. Fisher shows a somnambulistic safety of using words like play-dough manipulating them cleverly and utmost witty. On the subject