The Meaning Of The Black Aesthetic Essay

The Black Aesthetic

Stewart's view on the Black aesthetic is that it is heavily influenced by the cultural heritage and traditions of African Americans, which gives African American art and music a unique cultural value. He claims that African American artists have always had a strong sense of identity and pride in their work, which has led them to create music that is open, unique, powerful, and meaningful (Stewart, 1971). This value system is evident in the variety of styles and techniques found in African American music and art, as well as in its religious and social messages (Duncan, 1972). Furthermore, these values can be seen to inform the music created by Black musicians in a way that speaks to and celebrates African Americans shared culture and history. Thus, Stewarts position on the specific values found in Black art and music is important because it provides insight into the creative potential of African American culture and its value systems. It also serves to show how African American musicians have used these values to create powerful, expressive, and meaningful music.

References

Duncan, J. (1972). The Black Aesthetic.Journal of Research in Music Education,20(1),

195-197.

Stewart, J. (1971). Introduction to Black aesthetics in music.The Black Aesthetic, 81-96.

Cite this Document:

"The Meaning Of The Black Aesthetic" (2023, January 27) Retrieved April 30, 2024, from
https://www.paperdue.com/essay/meaning-black-aesthetic-essay-2178106

"The Meaning Of The Black Aesthetic" 27 January 2023. Web.30 April. 2024. <
https://www.paperdue.com/essay/meaning-black-aesthetic-essay-2178106>

"The Meaning Of The Black Aesthetic", 27 January 2023, Accessed.30 April. 2024,
https://www.paperdue.com/essay/meaning-black-aesthetic-essay-2178106

Related Documents

Aesthetic of Beauty One of the most powerful passages found within Plato's The Republic is that which exists within the Allegory of the Cave. This passage comes near the end of this book and its description about the philosopher kings -- the chosen guardians who are to rule mankind with benign wisdom. Essentially, the Allegory of the Cave is about the notion that there is an intrinsic relationship between goodness and

Pioch also comments on the delicate and gradual blending and dissolving of the painting's colors and figures, which da Vinci achieved with the sfumato technique. An interesting fact of da Vinci's life and attitude towards painting is provided in a biography of the artist by Antonina Vallentin: "Leonardo himself knew that masterpieces are born of [his] fear and doubting." Apparently almost crippled with fear at the start of a new

Aesthetic Education
PAGES 3 WORDS 1112

Aesthetic Education: Book Review of Maxine Greene's Lectures encompassed in her Variations on a Blue Guitar. The paper that follows is an overview of the style, content, and core philosophy of one of the seminal works on arts education during the 1980's by one of the seminal educational theorists of the late 20th century, Maxine Greene. This review of Variations on a Blue Guitar consists of three sections, first a report on

"Over the course of time, there will be a new world era entailing that one day there will a dawn after destruction. This system for the earth continues throughout eternity and is managed by three gods: Brahma, Shiva and Vishnu or the divine trinity." (Eck, 1996) of these, Shiva was or is the destroyer. The Hindu divinities are worshipped through art on temples and in the majority of homes.

It only remains to see how this goal may be reached -- and Kierkagaard's book on aesthetics ends with the love letter from Climacus to Cordelia, in which we learn the true approximation of life and the simple path to the aesthetic goal (a path which Don Giovanni misses): "love is everything" (p. 407). Kierkagaard states, "For one who loves everything ceases to have intrinsic meaning and has meaning only

Esthetics scholarship application “why is professional skincare my passion" The skincare profession, at one time, thrived on mysteriousness. ‘Facialists’, ‘estheticians’ and other specialists in this field guarded their secrets well. Mystery ingredients were used on customers’ skin, with authentic ritual authority, and customers were ordered to come back from time to time to ensure long-term results. This age was characterized by intensely-perfumed creams, flashy gold-and-pink packages, and an abundance of brands with French-sounding