¶ … Anger is a dated film. It is not simply dated because of its gritty, black and white texture, and its stark and somewhat schematic portrayal of class conflict in 1950's postwar Britain. It is dated by the lack of importance it gives to race in Great Britain, and also by the pitting of men against women, with working class men becoming 'the good' that is the radical sex, while women are cast in subordinate, subservient, and constraining roles.
In terms of the plot of "Look Back in Anger," the protagonist, an educated working class lad of taste, talent, and verbal alacrity, named Jimmy Porter, is reduced to selling sweets to make a living in an England that denies him advancement because of his class. He is constantly angry at the limited life he leads, and takes to lashing out at his wife and playing the trumpet to release his anger. The actor who portrays Jimmy on film, Richard Burton, has an accent and a demeanor that strikes a viewer as overly refined, especially when contrasted with the actor who plays Cliff, who seems more authentically of a 'lower' class. However, the viewer is told by so many characters and by Jimmy himself, ad nausea, that Jimmy is 'common' that eventually the viewer surrenders and accepts that yes, Richard Burton playing Jimmy Porter is working class, despite his way of speaking and comporting himself.
Jimmy Porter talks a great deal, and his favorite topic of conversation is how his wife Alison symbolizes all that is contented and bad about middle-class England. But even her own father, a retired army general...
Her father likes Jimmy, and Jimmy likes his father-in-law, despite his class resentments, because the man reminds him of his own father, who died soon after returning from fighting for
freedom in Spain -- much to the resentment of Jimmy's own despised mother. The only good woman to Jimmy in the entire
play is the old woman who bought him the sweet shop stall -- and who conveniently dies very soon in the film, so she cannot fall from Jimmy's idealized pedestal.
Thus, women are shown to be against men, even more than classes are shown to be against other classes. Gender is really the dichotomy that frames the story, as good men are present even in the middle classes, like Alison's father, but the only good woman is an
elderly, asexual female of the working class. The story is almost completely focused on the
emotional development of men, particularly working class men, as the needed resource to be developed to create a better England. Thus, Jimmy is shown to be the center of the life of two women, both his fragile wife Alison, played by Mary Ure, and her friend and rival Helena, played by the luminous actress Claire Bloom, who criticizes the Porter's life together before becoming Jimmy's lover, when Alison goes back to live with her
mother after becoming pregnant. Jimmy's mother-in-law's hatred for Jimmy, as opposed to the young woman's father is always stressed. Women are seen as more complacent in the dominant order -- by Jimmy but also in terms of the ideological slant of the film, which never questions Jimmy's perspective. Even the relatively nice Cliff, Jimmy's friend, backs up Jimmy's violent outbursts, when pressed.
The…
