Film Response to Repentance (1984)
Tengiz Abuladze's 1984 motion picture Repentance provides viewers with an abstract perspective on life in a rural area as being disrupted by feelings associated with absurdness, Stalinism, and people's struggle to reach common ground on particular issues. The film puts across a series of principles ranging from a satirical comedy to a means of addressing political topics that were controversial during the 1980s. In spite of the confusion that the film expresses as its storyline progresses, most viewers are probable to experience intense emotions as they become better acquainted with characters and with how they feel about their immediate environment.
While it would be pointless to discuss the film in association with conditions in the Soviet Union during the 1980s, it is intriguing to address matters in Soviet countries that separated from the union as the Iron Curtain fell. Individuals in former Soviet state must have felt inspired as a consequence of seeing the film, taking into account that it went against ideas that were fed to them on a daily basis. These people could identify with characters in the film and could understand the central character, Varlam Aravidze, as being a person who was solely interested in the well-being of the system he was protecting rather than to care about people and about they were oppressed throughout his leadership.
The director uses a somewhat poetic form of expression as he attempts to relate to horrific events in an intriguing way. It is obvious that he found it difficult to address the topics he was interested in directly. As a consequence, he chose to use a series of metaphors and allegories in an attempt to criticize the system in a subtle way. Even with this, he concentrated on showing the gravity of the problem and wanted his viewers to understand the degree to which...
Nazism and Stalinism: An Examination Compare the two most cruel and inhuman dictatorships of the 20th century, Nazism and Stalinism Like any regime which engages in the use of terror and violence, one can trace the roots of both Nazism and Stalinism as originating intensely in deep amounts of fear. Fear of modernism, fear of poverty and fear of the unknown were at the root causes of these regimes filled with hate.
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