Butch Cassidy and the Sundance Kid (1969) came in a time when the public became fond of funny westerns. The editors carefully made the movie's beginning and its end in order for it to have an exceptional result consequent to the audience viewing it. The silent beginning and the freeze-frame ending gave the movie an exceptional character, showing the public something that they had never seen before.
In times when the whole world filmed in color, a number of directors reached the conclusion that it had not been the color that made the difference between a good movie and a bad one, as it had been the script and the movie crew. Peter Bogdanovich, the director of the Last Picture Show (1971), had been influenced to film the movie in black and white because of a conversation that he had with Orson Welles. The two concluded that it had been worth the risk of doing something that was thought to be out of date. The success experienced by the movie proved just that, as the public left aside the digital era in favor of old-school filming techniques.
Considering the fact that most King Kong-related movies are based somewhere during the 1930s, during the Great Depression, film crews resorted to using fashion from the era. The design crews had to focus on emphasizing each of the characters so that their natures would be differentiated with the help of the clothes that they wear.
While there is interdependence between the people writing the script, the ones acting, and the ones editing the movie, there are also people that have to control the whole business. Directors have most of the responsibility on a movie set, as they have to understand and manage the entire movie crew. Directors need to know exactly what the writers wanted to express through their scripts. Also, they have to pay attention to each actor and his or her abilities in detail. There is virtually nothing that is in the movie without the director's permission.
Directors can put their unique touch on the final product, and, an experienced movie analyst should be able to recognize a certain movie's director after viewing the film. Guy Ritchie's motion pictures for example, use a series of elements that are somewhat similar. The precious guns in Lock, Stock and Two Smoking Barrels (1998), the diamond in Snatch (2000), and the painting in Rocknrolla (2008), are elements known in the movie world as Macguffins. The term is considered to have appeared because of Hitchcock, as it is a particular kind of strategy that Hitchcock made use of in many different variations and that one could label narrativization of objects. It is a question of giving meaning to objects that are legible or open to interpretation for viewers with regard to the situation, possible threats, and the intentions of the protagonists and antagonists (Peter Vorderer, Hans J. Wulff, Mike Friedrichsen 1996)
While some might consider that it does not pay off to be a movie director because of the difficulties that such a position involves, others can claim that the satisfactions brought by the job are priceless. Even if it is not unusual for movie directors to look for inspiration in other motion pictures, every director has his or her unique touch on the films that they produce. An important part in the analysis process involves...
Consequent to learning what makes that particular director different, one can find it easier to observe the respective person's individuality in all of the movies that he or she produced.
One does not have to regard a movie analysis as a boring and time-consuming activity, since it is something that raises the spirit of investigation in everyone engaging in the performance. Movie viewers normally consider that the movie experience only refers to the film's duration, as it is only logical for them to think about the movie while seeing it. However, an important step in analyzing the movie is finishing it and thinking about it and about all the sentiments that it has brought up.
When engaging in a movie analysis, one has to be aware that they have to be impartial, without expressing any personal beliefs regarding the movie. The audience is of great assistance when considering impartiality, with the analyst being able to review the public's reaction to the movie.
What is intriguing about movies is that most of them tend to influence people's behavior, having people want to change for good. In the Net, for example, Angela claims that Our whole world is sitting there on a computer. it's in the computer, everything: your, your DMV records, your, your social security, your credit cards, your medical records. it's all right there. Everyone is stored in there. it's like this little electronic shadow on each and everyone of us, just, just begging for someone to screw with, and you know what? They've done it to me, and you know what? They're gonna do it to you. (the Net, 1995) Analyzing movies from this genre implies the viewer having to observe the cause and the effect present in the movie. The characters behave in a certain way and they are repaid accordingly.
Even with the fact that technology has advanced a great deal ever since the early years of film, people still attend cinemas in great numbers. Also, they watch movies on various devices, ranging from TV to mobile telephones. Even if they enjoy watching movies, some people consider that movie analysis is an outrage. The most viable reason for their belief would be that they believe movies to emotionally influence people only for the first time that they watch it. Watching movies several times raises viewer awareness and presents much more details than people initially observed. Films are art, and it will always be a controversial matter whether or not it is right to implicate intellectuality in watching movies.
1. Annie Hall. Dir. Woody Allen. United Artists.
2. Butch Cassidy and the Sundance Kid. Dir. John Foreman. 20th Century Fox.
3. Friedrichsen Mike, Vorderer Peter, Wulff Hans J. (1996). "Suspense: Conceptualizations, Theoretical Analyses, and Empirical Explorations." Lawrence Erlbaum Associates.
4. Lock, Stock, and Two Smoking Barrels. Dir. Guy Ritchie. Universal Pictures.
5. Rocknrolla. Dir. Guy Ritchie. Warner Bros.
6. Snatch. Dir. Guy Ritchie. Columbia Tri-Star.
7. The Last Picture Show. Dir. Peter Bogdanovich. Columbia Pictures.
8. The net. Dir. Irwin Winkler. Columbia Pictures.
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