¶ … Shipping News by Annie Proulx tells the story of Quoyle, a man who begins the book naive, buffeted by life, and passive, but by the end has earned his place in a small town in Newfoundland. Quoyle, unsure of himself and troubled by his looks, allows the ups and downs of life to toss him without resistance. Eventually he marries, but his wife, Petal, is unfaithful. In the ultimate act of her selfishness she sells their two daughters, Bunny and Sunshine, to a pervert, but they are returned to Quoyle after Petal's death in a fiery car accident. Aided by his Aunt Agnis, he takes his family to live in the Quoyle homestead near Killick-Claw, Newfoundland, Canada, to start anew.
In Killick-Claw he works for the town newspaper, gaining self-confidence and writing skills, learning the foreign ways of the fishermen and their wives. He meets Wavey, a widow, and slowly spirals toward loving her. In his ignorance of the sea, he nearly drowns. As winter approaches, his family must move to town and cannot remain isolated on Quoyle's point. Shortly after they move, a huge winter storm washes the house out to sea and he learns that his father had molested Aunt Agnis as a child, a secret that he had known must exist. Now free of the past that had haunted him, Quoyle remains in town to run the paper and declare his love for Wavey, comfortable in his place in Killick-Claw.
It is possible to analyze Quoyle's story from the point-of-view of a hero's journey, a theory of mythology developed by Joseph Campbell. As described in his book, A Hero of a Thousand Faces, Campbell's archetypal hero undergoes twelve steps in his story journey. It is Campbell's theory that these twelve steps underlie most of mythical story telling and can be applied to the hero of modern literature as well. In "The Shipping News" Quoyle does undergo the twelve steps of a hero, although in modern fashion, his journey is more of self -- an internal voyage of discovery -- than of one of place as the heroes of classical myth.
According to Campbell, the hero begins his story in the ordinary world, one filled with boredom, suffering, and anguish. At the book's opening, Quoyle's world reporting municipal government is well described this way, as he got fired each summer and hired each winter to allow the boss's son a job. "And so it went. Fired, car wash attendant, rehired... Back and forth he went, down and around the county, listening to the wrangles of sewer boards... In atmospheres of disintegration and smoking jealousy he imagined rational compromise" (9). Life gets very bad for Quoyle as he writhes under the thumb of his flagrantly unfaithful wife.
Finally she can take no more, "Look, it's no good... Find yourself a girlfriend -- there's plenty of women around" (16), Petal says. This offer is a type of "call to adventure," a possible escape from his unhappy life. But in archetypal hero fashion, Quoyle cannot do it. "I only want you, said Quoyle. Miserably. Pleading. Licking his cuff" (16). So he remains stuck in his unhappiness until events conspire to send him on an adventure. When Quoyle's parents commit double suicide, Quoyle "meets his mentor" as Campbell puts it, in his Aunt Agnis. She proposes that she, Quoyle, and his daughters move back to the Quoyle homestead, hopefully still standing on a point jutting into the Atlantic Ocean off of Newfoundland. Although Newfoundland has no conscious pull for Quoyle -- unlike for his aunt, who grew up there -- he decides to go, answering the call to a new life.
Quoyle's experience in crossing the first threshold, that is, his entry into his new world is nothing short of nightmarish. Although the house still stands, it is horribly isolated and requires significant work to be habitable. The only available housing is a decrepit...
Shipping News In her novel The Shipping News, E. Annie Proulx brings to life a Newfoundland fishing town and a small group of its inhabitants - a more-or-less failed journalist and the three women in his life - his two daughters and his aunt. The four of them have decided to retake their ancestral home, and the action of the plot derives from this attempt - both literal and psychological
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