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This style in the literary world helps to define the Romantic Era and has shaped writing to this day.
Science:
Of equal importance to literary pursuits during the Romantic era were achievements in science. By the 1830's, activity in science and technology was rapidly increasing and becoming a source of pride for nations.
The term "scientist" was coined during this time, and there was a movement away from spiritual and theological studies. The advancement of the discipline into more systemized categories led "men of science from all over Europe into developing new ways of conceptualizing the world."
Many scientific accomplishments occurred during this time period, including vaccinations, economic botany, and magnetism. At the same time, science was being brought out of the laboratory and into the home. As a result, "science fuelled a global circulation of wealth and power."
Literary artists spread the scientific manipulations of nature adopted by the Romantic era, as seen is Mary Shelley's Frankenstein, helping to bring an appreciation for science to the public.
Imperialism:
Science was in part propelled by the imperialistic nature nations like Great Britain adopted at this time. Toward the later half of the 1790's, exploration to once foreign lands began to be common practice. The British began to take over parts of Southern Africa and they took control of the Cape Colony.
Britain quickly became the largest empire in world history at that time and colonialism became a defining factor of the era.
Even the church felt the effects of colonialism during this time due to the rise of many missionary societies.
Both for capitalistic gains as well as cultural and ideological extension, imperialism globalized English literature while it aided in controlling the natives of conquered lands.
Imperialism helped...
It did so by using a newly composed form of literature that drew on imagination to create perspectives for a greater worldview made possible through exploration and expansion.
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C.J. Murray, Encyclopedia of the Romantic Era: 1760-1850 (New York, NY: Fitzroy Dearborn, 2004), 789.
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Murray, 789.
Murray, 789.
Murray, 789.
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Fulford, 65.
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T. Fulford, & P. Kitson, Romanticism and Colonialism: Writing and Empire, 1780-1830 (New York, NY: Cambridge University Press) February 28, 2011, http://catdir.loc.gov/catdir/samples/cam031/97044330.pdf.
Nature is the vehicle that leads him to awareness on a physical and emotional plane, expressed when he realizes that "each faculty of sense... keep[s] the heart/Awake to Love and Beauty" (62-3). Here we see that the poet is open to whatever his experience with nature will teach him. Another poet that demonstrates the mood and tone of the Romantic era is Percy Shelley. In "Ode to the West Wind,"
Romantic Period, writers shared an appreciation for nature. Capturing the essence of enjoying nature in writing became of utmost importance for these writers as they focused on emotion and imagination to help them create pleasing literature. We can see these characteristics in Percy Shelley's "Ode to the West Wind," John Keats' "Ode to a Nightingale," and William Wordsworth's "Lines Composed a Few Miles Above Tintern Abbey." These poets capture
Music-Romantic Period 'ROMANTICISM' is a concept that can be easily recognized but is probably just as difficult to define. Like all other movements, Romanticism also emerged as a reaction to general idea, practices, social norms and political problems of the time. The general concept of romanticism sees music as an expression of intimate and sublime emotions. The period that can be categorized as romantic varies but generally covers the decades from
life of a "free artist" during the romantic period and with the artist's life in earlier periods The life of a "free artist" during the early 19th century Romantic period of literature, art and music was conceptualized in terms of the artist as a free person, an artist outside of society, often beset upon by his or her inner demons. In contrast, the Classical period that immediately preceded the Romantic
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Faust believes she is condemned, but a voice from heaven says she is redeemed. She is to die, and Faust flees from her cell and leaves her to her fate. In this regard, the female is seen as weaker than the male and as more subject to the vicissitudes of existence. Faust and Gretchen have similar ideas in the beginning, and she is destroyed while he continues his pursuit. The