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The History Of Mariachi Music In America Essay

Outline

I. Introduction

A. Definition and overview of Mariachi music

B. Mariachi music is a significant cultural and identity symbol for the Chicano community.

II. Historical Origins of Mariachi Music

A. Early Development in Mexico

1. Geographic and cultural roots in Jalisco, Mexico

2. Influence of indigenous, Spanish, and African musical elements

B. Instrumentation and Stylistic Evolution

1. Traditional instruments: violins, guitars, vihuela, guitarrn, trumpets

2. Evolution of musical style and performance

C. 20th Century Expansion and Commercialization

1. Role of Mexican cinema and government policies

2. National and international recognition

III. Mariachi Music and the Emergence of Chicano Culture

A. Mariachi as a Symbol of Chicano Identity and Resistance

1. Cultural significance in the Chicano movement

2. Mariachi as a tool for cultural pride and political expression

B. Adaptation in the Chicano Context

1. Reflection of Chicano experiences and struggles

2. Integration of themes relevant to Chicano identity

IV. Academic Perspectives on Mariachi and Chicano Culture

A. Cultural Symbolism and Identity Formation

B. Sociopolitical Implications

V. Conclusion

Mariachi Music and Chicano Culture

Introduction

Mariachi music has become a symbol of cultural identity within the Chicano community (Clark). However, this style of music first was found in Mexico. Its eccentric and lively rhythms, its passionate vocals, and its hypnotic and enticing blend of string and brass instruments all combine for something specialsomething that feels big and bold today. But the style actually had humble beginnings in small Mexican communities. This paper examines the historical roots of mariachi music, its evolution and significance in Mexican culture, and its impact as a symbol of identity within the Chicano movement. Its aim is to show that mariachi music can be seen as a link to the past, to another place, and to another culture.

Historical Origins of Mariachi Music

Mariachi music originated in the western regions of Mexico, particularly in the state of Jalisco, in the 18th century (Sheehy). It evolved from a blend of indigenous Mexican, Spanish colonial, and African musical elements. The term "mariachi" was initially used to refer to a group of itinerant musicians, who played string instruments and performed regional folk music (Sheehy). Over time, however, the ensemble came to include violins, guitars, the vihuela (a high-pitched, five-string guitar), the guitarrn (a large, deep-bodied bass guitar), and trumpets (Sheehy). This unique combination of instruments gave mariachi its distinctive sound.

The Style

Each instrument in a mariachi ensemble plays a role in creating the genre's signature sound (Jaquez). The ensemble typically includes violins, which help give the melody and harmony, and which are viewed as essential instruments due to their sound (Sheehy). The classical guitar provides more of the rhythm foundation, as its strumming patterns set the pace and tempo (Sheehy). The vihuelathe small, five-string guitar with a rounded backgives off its own distinctive rhythm and bright tone, which adds to the overall liveliness of the sound that is standard to...

Then there is the guitarrn, which is a large, deep-bodied bass guitar; it serves as an anchor for the ensemble and supports the overall rhythm and harmony of the ensemble (Sheehy). Trumpets were added to mariachi bands in the 20th century to bring another bold and bright dimension to the music, and to provide more melodies or to help with adding musical flourishes (Jaquez).

The evolution of mariachi music can be seen in its stylistic developments and changes in performance practice (Sheehy). Originally, this style of music was mainly instrumental, with string instruments and simple, folk-based melodies. The music was often improvised, and musicians just played by ear (Sheehy). Over time, however, vocals were added and became an important part of mariachi, especially when romantic and patriotic songs were introduced. The role of the lead singer, or "cantante," became as important as the instrumentalists, and the lyrics tended to...

…symbol of Mexican identity. Today, mariachi music stands as a living, evolving form of cultural expression, continually adapting to the changing landscapes of the societies it touches. Its journey from the rural areas of Western Mexico to the global stage is a testament to its dynamic nature and enduring appeal. In Mexico, mariachi continues to evolve, embracing modern influences while retaining its traditional roots. In the United States, particularly within the Chicano community, mariachi has become a means of cultural preservation and a vehicle for contemporary expression, blending traditional elements with new themes and styles that reflect the experiences of Mexican Americans. The popularity of mariachi music in various contexts from festive celebrations to political rallies, from intimate community gatherings to grand concert stages indicates its capacity to communicate a wide range of human emotions and experiences. As a cultural phenomenon, mariachi is a vibrant, living tradition in Mexican and Chicano cultures.

Works Cited

Clark, Sylvia. "Mariachi music as a symbol of Mexican culture in the United

States."International Journal of Music Education23.3 (2005): 227-237.

Jquez, Cndida F. "El Mariachi."Musical Migrations: Transnationalism and Cultural Hybridity

in Latin/o America, Volume I. New York: Palgrave Macmillan US, 2003. 161-182.

Knight, Alan. "Racism, revolution, and indigenismo: Mexico, 19101940."The idea of race in

Latin America, 18701940(1990): 71-113.

Mrquez, Beatriz Aldana. "Shift in Social Character: Charro Cultural Representations in

Mexican Popular Culture."Studies in Latin American Popular Culture36.1 (2018): 30-46.

Mulholland, Mary-Lee. "Mariachi, myths and mestizaje: Popular culture and Mexican national

identity."National Identities9.3 (2007): 247-264.

Sheehy, Daniel. "Mexican Mariachi Music."The Music of Multicultural America: Performance,

Identity, and Community in the United States(2016): 137.

Tatum, Charles M.Chicano popular culture: Que hable el pueblo. University of Arizona Press,

2017.

Wilkie, James W. "The meaning of the Cristero religious war against the Mexican revolution."J.

Church & St.8 (1966): 214.

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