Swift's Use Of Humor In Term Paper

PAGES
13
WORDS
4828
Cite

..the said Quinbus Flestrin, in open breach of the said law, under colour of extinguishing the fire kindled in the apartment of his Majesty's most dear imperial consort, did maliciously, traitorously, and devilishly, by discharge of his urine, put out the said fire..." Article II stated "That, the said Quinbus Flestrin having brought the imperial fleet of Blefuscu into the royal port and being afterwards commanded by his Imperial Majesty to seize all the other ships...and reduce that empire to a province, to be governed by a vice-roy from hence; and to destroy and put to death not only all the Big-Endian exiles, but likewise all the people of that empire, who would not immediately forsake the Big-Endian heresy: he... like a false traitor against his most auspicious serene, Imperial Majesty, did petition to be excused...: In Article III he is accused of helping Blefuscu's ambassadors to make peace. In Article IV he is accused of planning to aid and abett the Emperor of Blefuscu. These passages are funny because they mimic legal language so closely and because their purpose is to persecute the innocent Gulliver instead of rewarding him.

This is a ludricrous turn in the story but not outside the realm of possible, even today.

Only today, the politician's enemies get the attention of the media, and the media does the persecuting for them.

On might think from all this that the Lilliputians had great power over Gulliver. However, one must remember they are tiny people (less than 3") and Gulliver is giant size to them, tremendously bigger and physically more powerful. Their power, Swift shows, lies in the fact that Gulliver gives it to them. It could be argued that all power is gained by consent of the governed. The nature of power is such that it depends for its influence on those who accept it. This applies to evil power as well as to benevolent power. Just think, Hitler gained power completely legally -- he was elected by the people. Likewise, Gulliver makes himself docile and obedient to the Lilliputians. And of course, they are not evil. Swift presents Lilliputian government as sensible and ideal in contrast to English rule: "There are some laws and customs in this empire very peculiar; and if they were not so directly contrary to those of my own dear country I should be tempted to say a little in their justification." He goes on to describe improvements that could be made to English law:

All crimes against the State are punished here with the utmost severity, but if the person accused make his innocence plainly to appear upon his trial, the accuser is immediately put to an ignominious death; and out of his goods or lands, the innocent person is quadruply recompensed for the loss of his time, for the danger he underwent, for the hardship of his imprisonment, and for all the charges he hath been at in making his defense. or, if that fund be deficient, it is largely supplied by the Crown. The Emperor doth also confer on him some public mark of his favour; and proclamation is made of his innocence through the whole city (p. 51).

This passage marks the beginning of a long list of legal reforms which include rewards for good citizenship:

Whoever can...bring sufficient proof that he hath strictly observed the laws of his country for seventy-three moons hath a claim to certain privileges, according to his quality and condition of life, with a proportionable sum of money out of a fund appropriated for that use; he likewise acquires the title of Snilpall, or Legal, which is added to his name, but doth not descend to his posterity. And these thought it a prodigious defect of policy among us, when I told them that our laws were enforced only by penalties, without any mention of reward.

Lilliputians chose their government officials for the good morals rather than their abilities. According to Swift, "sublime genius" is not required for good government; in fact, in an ideal government (like Lilliput's) "mistakes committed by ignorance in a virtuous disposition would never be of such fatal consequence to the public weal as the practices of a man whose inclinations led him to be corrupt, and who had great abilities to manage, to multiply and defend his corruptions (p. 52).

One of the funniest chapters in the book occurs in Part III, Chapter V, when Gulliver goes to visit an island inhabited by intellectuals, thinkers, In another room a "horrible stink" nearly drives Gulliver away. He learns the professor, the oldest and most esteemed inhabitant of the Academy, is engaged in a project "to reduce human excrement to its original food, by separating the several parts, removing the tincture it receives from the gall; making the odor exhale, and scumming off the saliva" (p. 158). The usefulness of this is not explained. Another was busy trying to turn ice into gun powder, and "a most ingenious architect...had contrived a new method for building houses, by beginning at the roof and working downwards to the foundation..." A blind man was mixing colors for painters by feel and smell and was "much encouraged and esteemed by the whole fraternity." All these are Swift's examples of useless and frivolous research, the kind today's Congress, if it found out, would argue over. Some would say it was valuable; others would deem it a waste of the taxpayer's money. Swift admits that some research, if improved upon, could have practical value some day:

was highly pleased with a projector who had found a device of ploughing the ground with hogs, to save the charges of ploughs, cattle, and labour...in an acre of ground you bury...a quantity of acorns, dates, chestnuts, and other masts or vegetables, whereof these animals are fondest; then you drive six hundred or more of them into the field, where in a few days they will root up the whole ground in search of their food, and make it fit for sowing, at the same time manuring it with their dung (p. 159).

Although they don't bury food, organic farmers today often send the pigs in to "root," that is, to turn up the soil and fertilize it before planting.

Swift describes another project to employ spiders instead of worms to make silk. The color of the silk would be determined by what was fed the spiders. This reminds me of a disatrous experiment made in the 19th century in New England when a researcher imported gypsy moth catapillars to mate with silk worms and produce a superior silk. The catepillars escaped from the laboratory, and no one would listen to the alarmed researcher when he predicted the results. With no natural enemies they moved across the country, multiplying into colonies, and eating the leaves off the trees, denuding entire forests. it's a picture Swift himself might have drawn about the human propensity to "try things," to take things to their limit despite the consequences, and the shrugging attitude everyone else took at the time.

In the same chapter Swift goes to great lengths making fun of doctors and medical treatment:

was complaining of a small fit of the colic; upon which my conductor led me into a room where a great physician resided, who was famous for curing that disease..." Gulliver reports. From there, we learn what the doctor wanted to do: "He had a large pair of bellows with a long slender muzzle of ivory: this he conveyed eight inches up the anus, and, drawing in the wind, he affirmed he could make the guts as lank as a dried bladder. But when the disease was more stubborn and violent he let in the muzzle while the bellows was full of wind, which he discharged into the body of the patient; then withdrew the instrument to…

Sources Used in Documents:

references to women throughout and nearly always they are negative. He refers to the misery of marriage, to women's vanity, selfishness, and greed. He mentions their idle, incessant chatter. The only woman in the book he likes is Glumdalclitch who is really a young girl about nine or ten years old. Swift makes fun of women but not at great length. This is understandable since it is a man's world he's criticizing.

In the fourth part of the book, Swift makes his most devastating criticisms of human beings. They are cast as lower animals in a place where horses are noble, moral, and rational. The uncivilized humans are called "Yahoos," an expression that endures today. Yahoos today are generally country people without city manners who speak in vernacular and wear overalls. The Yahoos in Gulliver's Travels are gross, violent, and stupid. By looking them, Swift points out that human beings are the only animals capable of deception. Other animals have no vices and are incapable of crime. Only human beings desire power and riches. Only human beings go to war with each other -- and over whether flesh be bread, or bread be flesh; whether the juice of a certain berry be blood or wine: whether whistling be a vice or a virtue; whether it be better to kiss a post, or throw it into the fire; what is the best color for a coat, whether black, white, red, or grey; and whether it should be long or short, narrow or wide, dirty or clean; with many mores" (p. 214).

Of war, he states a number of foolish causes, "Sometimes one prince quarrelleth with another for fear the other should quarrel with him (reminds one of George Bush and Saddam Hussein). Sometimes our neighbors want the things which we have, or have the things which we want, and we both fight until they take ours, or give us theirs" (p. 214). This leads to two pages of irony on war and the uncivilized use of weapons: "a soldier is held the most honourable of all others; because a soldier is a Yahoo hired to kill in cold blood as many of his own species, who have never offended him, as possibly he can" (p. 215).

Swift is especially hard on lawyers, judges, laws of precedence, and the trial system, which deals only with irrelevant facts. Legal language and jargon perverts and postpones justice.

He states his low opinion of lawyers succinctly: "...that in all points out of their own trade they were usually the most ignorant and stupid generation among us, the most despicable in common conversation, avowed enemies to all knowledge and learning..." On the use of money, he points out "That the rich man enjoyed the fruit of the poor man's labor...that the bulk of our people was forced to live miserably, by labouring every day for small wages, to make a few live plentifully."


Cite this Document:

"Swift's Use Of Humor In" (2005, May 25) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/swift-use-of-humor-in-66027

"Swift's Use Of Humor In" 25 May 2005. Web.25 April. 2024. <
https://www.paperdue.com/essay/swift-use-of-humor-in-66027>

"Swift's Use Of Humor In", 25 May 2005, Accessed.25 April. 2024,
https://www.paperdue.com/essay/swift-use-of-humor-in-66027

Related Documents

Jonathan Swift and Alexander Pope mastered satire as a primary means of poetic communication. Swift's "Verses on the Death of Dr. Swift" is essentially his self-written obituary. With candid self-insight, Swift admits his flaws, his jealousies, his insecurities, and his egotisms. His characteristic tongue in cheek style belies the weight of the subject matter; he knew his death was immanent and at the most basic level wanted to pen

Product Liability Jonathan Swift's use of satire in his story "Gulliver's Travels" is not only a useful employment of its best purposes but perhaps also the only way to craft this type of critical argument. Critical thought towards society and its class structure has always been art's most powerful trait. Swift's literature is used in this manner in his famous story. The purpose of this essay is to examine Swift's use

Swift's Modesty
PAGES 3 WORDS 979

Jonathan Swift's "A Modest Proposal" is quite an unusual work of literature, and one which certainly has a surprise ending. The only allusions to the wild solution that the author will offer to the very real problem plaguing the streets of Ireland -- that of the unfortunate beggar children and their mothers of Irish distinction -- is the fact that it is quite obvious that this essay is a

" For example, of the materialism and penchant for "conspicuous consumption" among Romans of the time, Juvenal observes: in Rome we must toe the line of fashion, spending beyond our means, and often non-borrowed credit. It's a universal failing: here we all live in pretentious poverty. To cut a long story short, there's a price-tag on everything in Rome. What does it cost to greet Cossus, or extract one tight-lipped nod from

Gulliver's Travels Jonathon Swift's Gulliver's Travels (1726) is a satiric novel aimed at revealing the trends of seventeenth-century philosophy, including ideas on human nature. For instance, as Gulliver, the main character embarks on a journey to discover what man is, he descends into a journey of pure madness. Swift separates man into two groups in this novel -- the Houyhnhnms and the Yahoos. Swift's theme of human nature is very strong here,

Reason in the faith and satire of Dryden and Swift The neoclassical age in which both John Dryden and Jonathan Swift penned their most noteworthy prose is often also called 'The Age of Reason.' However, although this valorization of reason and rationality may be a fair characterization of much of the Age of human Enlightenment, Dryden and Swift do not deploy nor valorize reason in the same fashion. For Dryden,